Tragic but predictable, it was the timing rather than the passing of Amy Winehouse that left many shocked and bereft on Saturday 23rd July. Discovered by her security in her own bed in Camden, it was a somewhat quiet end to a loud and lavish lifestyle that had prevailed over the preceding years of the youngster’s life. Whilst many point to Amy’s troubles with alcohol addiction, drug abuse and tabloid shenanigans as the root causes for the death, these are just the public images of a lost girl, who was described in completely different ways by family and friends.
Scandalous until the end, Winehouse first came to the public eye with release Frank in 2003. This debut was essentially a cigarette stained, alcohol smeared soul and swing record that was reminiscent of 60s finesse. Critically, the album was a smash and gained Winehouse prestigious Ivor Novello awards – a feat that was repeated several times. Widespread success came with second offering Back To Black, where controlled raspy vocals and controversial issues led to both fame and fortune. The album became the biggest selling LP of 2007 in the UK and the seventh biggest selling in the world in 2008.
Talent then is unquestionable. More often than was fair, smearing images blocked an accurate portrayal of the life of this star and perhaps the most perceptive remark reads:
“I know Amy Winehouse very well. And she is very different to what people portray her as being. Yes, she does get out of her mind on drugs sometimes, but she is also a very clever, intelligent, witty, funny person who can hold it together. You just don't see that side.”
-Lily Allen.
If, as Ms Allen claims, we didn’t see that side of Winehouse in her personal life, it was because the soul and swing music that she clung to was her eden: outside of her musical menagerie, the troubled starlet was all but lost in a media frenzy that sabotaged and plagued a person that had lost their way. When music was no longer effective in providing an outlet for the different traumas of her life, Amy Winehouse was subjugated to addiction for peace.
Lyrically, Amy’s music is self-professed and riveting material that only foreshadows her latter strife. “I cheated myself, like I knew I would” read the words to ‘You know I’m no good’: everything the star warned herself against has come to dominate her life and yet she enjoyed it nonetheless, and she shrives herself by simply saying that “I told you I was trouble”. Elsewhere, songs such as ‘Tears Dry On Their Own’ question attachments with trivial lovers, and ‘Fuck Me Pumps’ is an ode to all those who lose themselves in the good times, just as Amy herself did. Almost too ironically she warns those who fall from grace not too upset if “like the daily news they get pressed”. It’s a rock’n’roll lifestyle that is so glamorised on the outside, yet is too addictive to leave behind. More than any other artist, her short lived career writes her own eulogy in many ways: a life riddled with problems in love, in drugs, and feeling comfortable with self.
Winehouse’s legacy certainly lives on through her music now, as her parents laid her to rest in an emotional and extremely private congregation. Whilst the media continued to heckle the event, the true trouble of the star is truly realised. However brief her active career, her contributions to the musical world cannot and should not be undermined by her inevitably self destructive path. Current giants such as Duffy, Lily Allen and Adele cite her as their influences; the last going so far as to say that Amy was the original star of the 21st century to get people excited about British music once again. Moreover, soul music has not enjoyed such popularity, diversity and success since the 60s. Often, genius is a case of trouble. Many of the greatest artists of the 20th century wrote their music or claimed that their music was inspired by happenings whilst locked away and under the influence of some variant illicit substance. Amy’s music is so startlingly brilliant and unique to its market then because not only did she indulge in drugs, but her entire musical life was based around such self-abuse, mingling with vibrant crowds in Camden and struggling to maintain the balanced lifestyle of her family.
So whilst she may have said no, no, no to rehab, Amy’s genius flourished under such circumstance and after all, we’re only saying goodbye in words.